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Advances in Psychology, 2015
Background: The purpose of this study was to determine a factor structure for the immersed tendency questionnaire (ITQ) under the background of Chinese culture. The 14 items comprising the ITQ originally derived from Witmer and Michael's immersed tendency questionnaire (1998). Methods: Data from 360 university students were subjected to exploratory factor analysis (EFA) and 440 university students were subjected to confirmatory factor analysis (CFA). Results: CFA confirmed that ITQ was a 4-factor structure. EFA explained 50.65% of the variance through a 19-item, 4-factor structure (game immersed, state involvement, focus, and emotional involvement). Adding the total score, Cronbach's alpha coefficients were 0.512 -0.789. ITQ had satisfying structure validity (χ 2 /df = 2.736, NNFI = 0.91, IFI = 0.93, CFI = 0.93, RMSEA = 0.064) and criterion validity (r = 0.575, p < 0.001). Conclusions: The revised ITQ had a satisfying structure validity and reliability; the 4-factor had a significantly better fit, and could be used in the related fields of research.
2005
This paper discusses the typology of focus structure types (variation of information structuring in the clause) and how information structure can be used to explain all of the word order patterns in Chinese without reference to grammatical relations
Advances in Social Sciences, 2019
Cai E led the national protection movement, broke the dream of Yuan Shikai's emperor, and was hailed as "the first person to recreate the Republic of China". However, his attitude toward Yuan Shikai experienced the rejection, acceptance, support and gradual change with the change of Yuan Shikai's political inclination, disappointed to the process of opposition. This process reflects the commonality between those, and there are many differences in the way of doing things, political concepts and status. These similarities and differences run through those attitudes towards Yuan Shikai's attitude, reflecting the profound impact of the collision of traditional culture and western culture on the personal and national destiny of the early Republic of China.
2015
Conference Theme: Chinese Characters Education and Research随着汉语的国际化趋势明显，汉字教学方法研究越来越受到重视。掌握一个汉字，要辨认其形、听读其音、理解其义。新加坡华族学生拥有独特的双语背景，学好汉字，有助于提高中文阅读能力。信息时代，阅读平台多样化和多元化，现在不仅有纸制的书籍、杂志、报刊等平面载体。越来越多的电子产品进入我们的生活。随着各类阅读平台的大量涌现，儿童读到影视屏幕上汉字的机会越来越多。孩子使用电子产品，会影响他们的学习，有些家长甚至不让孩子多看视频。那么，信息时代的孩子不可避免地会接触到电子产品 ...postprin
Daojiao xuekan 道教學刊 , 2020
Humanities and Arts
The Canglangting Garden was first built by Su Shunqin in the Northern Song Dynasty and underwent frequent changes in the following four dynasties: Song, Yuan, Ming, and Qing. The theme of "Canglang" and its connection with Su Shunqin also disappeared and emerged in history, and gradually became prominent after the renovation of Canglangting Garden by Song Luo during the Kangxi period of the Qing Dynasty. Based on local Chronicles, garden records, poems and images, and other related historical documents, this paper focuses on the study of the spatial narrative changes of Canglangting Garden from the initial construction of Su Shunqin to the renovation of Song Luo by intensive literature reading, image analysis and field survey, discusses some important issues and details in particular, such as the background of the emergence of Canglang theme, the competition between Zhang and Han during the chaotic times, the disappearance
Sinología hispánica, 2018
person pronouns are qualified, the other for the first-person pronouns contrastive form. At the same time, we try to propose two suffixes */ɯ/ and */m/.
SCIENTIA SINICA Terrae, 2014
Journal of Suzhou College of Education, 2011
SCIENTIA SINICA Terrae
关键词 孔桑桥遗址；古 DNA 分析；木炭分析；籼稻传播；吉隆沟 1 引言 水稻是世界最重要的三大作物之一，有亚洲栽培稻(Oryza sativa)和非洲栽培稻(O. glaberrima)两个栽培种. 亚洲栽培稻(以下简称"水稻")广泛分布于全球各大洲，以亚洲分布 最广、种植面积最大、产量最高. 亚洲栽培稻有两个主要亚种：籼稻(O. sativa subsp. indica) 具耐热和光强习性， 适宜生长在高温、 强光和多湿的热带及亚热带地区； 粳稻(O. sativa subsp.
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Anhui shixue [Anhui historical studies], 2020
This paper suggests that attention to Chinese philanthropy is not, however, as limited as often suggested because this topic has often been “embedded,” or hidden, in other subject areas that resulted in their exclusion from bibliographies under the keywords philanthropy or charity. The main example of this “embedding” can be seen in studies of missionary history, which often included significant exposition of the philanthropic work of missionaries in China despite not being categorized under the “philanthropy” subject heading. A complete understanding of Western studies of Chinese philanthropy cannot ignore the contributions of these studies. This paper also argues that the dominance of missionaries in Western perceptions of philanthropy in China for a long time hindered, or even distorted, the growth of the history of Chinese philanthropy as a specialized area of research. It was only with the development of other trends in Western studies of Chinese history, beginning with an emphasis on “China-centered history,” that eventually helped to correct the distortions in Western perceptions about Chinese philanthropy. These development ultimately contributed growing attention to this subject that finally promises to bring more strength and better balance to the study of Chinese philanthropy in the West.
Korea Journal of Chinese Language and Literature
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Transtext(e)s Transcultures 跨文本跨文化, 2007
Chinese women have been continuous hits in mass media throughout the past decade. While names such as Mian Mian and Wei Hui have caught the attention of readers with their fin de siècle decadent writings, or, "genital writings" as labeled by some critics, Mu Zimei, Zhuying Qingtong and Sister Lotus have excited netizens with their online sex diaries, hawking details of one-night stands, nude self-portraits, and pictures of flirtatious gestures respectively, which have caused far greater disturbances in China. On top of investigating whether these writers have bravely subverted the sexual hierarchy and avenged traditionally oppressed Chinese women or if they have willingly commercialized and objectified the female body, this article pays special attention to the notion of privacy and its relationship to the rise of the modern city and examines the complexity of privacy and publicity intruding upon one another in literary space. It proposes that contemporary Chinese literature has experienced a metamorphosis from an invasion of the private space by public space, specifically Maoist discourse, during the revolutionary periods to an intrusion of the public space by private space with the help of the Internet in capitalistic-communist China. This article also suggests that what the bad girl writers and bloggers have done would have been a revolution to celebrate the renaissance of the hidden and suppressed body in the traditionally male-orientated Chinese culture and a new representation of feminine consciousness of Chinese women. However, the body, intentionally used as the selling point of the works, has been objectified, marketized, and thus turned into a production of capitalist consumerism. As a result, instead of discovering the feminine consciousness, the female body serves to signify a re-entrapment of femininity by male chauvinism.
2021
2015
Depuis 1979, les critiques d'art en Chine ont accompagné le développement de l’art contemporain, participant à la renaissance de la vie intellectuelle durement éprouvée sous le règne de Mao. Les revues d'art reflètent l’évolution de leur réflexion. Dans ma thèse je présente d’une part ce paysage intellectuel dans lequel s’est construite la critique d’art chinoise, et d’autre part, après avoir analysé comment certains concepts passent d’une langue à l’autre, j’aborde les textes théoriques et leur réception dans le milieu académique. Attirés au départ par la pensée occidentale, un champ référentiel qui s’étend de Platon à Danto, les critiques chinois se sont tournés ensuite vers le corpus classique, voire le Livre des mutations, pour forger des outils “propres à la Chine” afin de ré-écrire une histoire de l’art contemporain chinois délivrée du carcan post-colonial, mais au risque de se prendre au piège d’un nationalisme insidieux encouragé par le Parti. Les larges extraits que...
2009
SCIENTIA SINICA Terrae, 2018
2020
The concurrent structure is a common verb structure in Chinese. The predicate phrase and the subject-predicate phrase share the concurrent structure. The structure is complex and difficult to analyze. Therefore, the construction and recognition of the concurrent corpus is of great significance for semantic analysis and downstream tasks. However, there are few existing concurrent corpora, and the construction of concurrent corpora for the Chinese AMR labeling system is still in the blank stage. In response to this situation, this paper summarizes a set of concurrent corpus annotation specifications, and builds a number of concurrent corpora for Chinese AMR annotation systems. Based on the constructed corpus, this article uses an character-based neural network model to recognize the concurrent structure, and analyzes and summarizes the recognition results and future improvements.